Don’t Listen to the Zohan
By Matt Schwartz
Guest Columnist
Jewish Times
I finally got around to seeing Adam Sandler’s latest comedy about the super Israeli agent who wants to quit Mossad and become a hair dresser in New York. There was something very disturbing about this movie. No, it wasn’t the coarse and occasionally grotesque humor -- some of which will make you laugh out loud, and some of which was staggeringly dumb. The disturbing aspect of this movie was its message.
No doubt there are those who will accuse me of taking a silly comedy too seriously. After all, Sandler is playing everything in this movie for cheap laughs. However, comedies do require certain premises to be accepted subliminally in order for their jokes to work and for their stories to be entertaining. Those premises usually involve conflicts between what is considered “right” and “wrong”. Therefore, Hollywood movies reflect Hollywood values regardless of whether they are dramas, action flicks, musicals or inane comedies. These are the values that Hollywood elitists either believe we share, or that they are trying make us share -- or both.
So what is so disturbing about Don’t Mess with the Zohan? Well, when your plot includes a top terrorist from Hamas or Hezbollah named “The Phantom,” you’d think you’d know who the villain of the story is. You’d think! But if you used your common sense and guessed that the Phantom was the villain in this movie, you’d be wrong. In liberal Hollyweird, a moral equivalence must be drawn between Arab terrorists who target Jewish children and Israeli soldiers who defend them; Hollywood does not acknowledge a difference between those who use children as shields, and those who use their own bodies to shield children; Hollywood consciously resists judging those who embrace genocide and those who earnestly seek peaceful co-existence.
By the end of the film, we come to realize that the Phantom, held out as the most prolific Arab terrorist, is actually a hero -- just like Sandler’s top Israeli spy, Zohan. You see, these poor misguided souls just had to go through a simple character arc to realize that they were both fighting for no good reason at all. The geniuses who shepherded Zohan through the studio system established the following premise for us to buy into: Arab terrorists clearly have no reason to murder Israelis, and Israelis clearly have no reason to defend themselves. After the heroes of this story experience this harmonious epiphany, they actually join forces to fight the real villains of the story. And this is where the unintentional humor begins...
Who are the real villains of this story? (Remember, this is a Hollywood movie...) The real villains are, of course, rich white American developers who are “ruining” neighborhoods with indoor shopping malls. I am not making this up! Didn’t you hear? Rich white Americans are greedy, intolerable bastards. In fact, according to the Hollyweird Bible, these are the only antagonists against whom violence can actually be condoned. Let’s face it… They’re probably Republicans who have spurned carbon neutral lifestyles. And these incorrigible ne’er-do-wells made matters worse by enlisting the aid of other obvious villains (right wing, gun-owning homophobic racists who hate George Clooney) to oppress poor Middle Eastern immigrants.
The Phantom, by virtue of his status as the premiere Arab terrorist, must have the blood of Jewish children or 9/11-like victims on his hands. But John Turturro plays him a bit goofy and his real dream is to open a shoe store in Manhattan. So, at the end of the day, he’s just like you and me. And, thankfully, we can now see him in a more endearing light and that whole Jihad thing becomes something we can look back on and laugh about.
Is Hollywood that ignorant? Or do they just lack the cajones to depict the truth in celluloid? Either way they are doing a terrible disservice to our culture by confusing the more impressionable among us about who the real villains in this world are. Their hackneyed mantra is that “we should all just get along,” but anyone who thinks this is remotely possible with Islamofascist mindsets prevailing throughout the Middle East should consult a proctologist about a potential lobotomy. The premises upon which movies like Zohan should be based are as follows: Arab terrorists are evil. Israeli soldiers who defend the Jewish people are good. Rich white Americans who create businesses, hire employees, pay taxes and beautify decrepit urban areas are also good. Moral relativists who cannot fundamentally distinguish between good and evil are pathetic. American gun owners who dislike George Clooney and Arab terrorists are not necessarily racist or homophobic. And once in a while, they might even contribute to the Atlanta Jewish Times.
MATT SCHWARTZ
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